Enter the state
Kundalini practice since 2021 — full activation, entered again before every single sitting. Nothing begins until this happens first.

I don’t compose these images. I paint in kundalini activation — the hand moves on its own, and the picture keeps changing with every layer. What arrives is a reading of the Akashic Chronicles, not a plan.
Kundalini practice since 2021 — full activation, entered again before every single sitting. Nothing begins until this happens first.
No sketch, no plan. In meditation and activation, the hand is let go of — the state paints, not the mind.
Blue, turquoise, yellow, pink, then ember — each layer changes what came before. The final image stays unknown until it ends.
An original oil painting, $12,000, certificate of authenticity included. For collectors, galleries, and spaces built for practice.
View the painting





Real footage from two sessions — entering the state, and the hand at work.

| Medium | Oil on canvas |
| Size | 50 × 60 cm |
| Recorded | 2024–2026 |
| Series | Akashic Chronicles, Plate 001 |
| Provenance | Direct from the artist, signed certificate included |
| Shipping | Worldwide, protective crate on request |
This painting arrived across several sittings of kundalini activation between 2024 and 2026. It began as a single point of white light and grew outward in thousands of small, directional strokes.
No sketch preceded it. Tatiana describes the process as reading the Akashic Chronicles — a transmission received in meditation, layer by layer, with the final image unknown even to her until the last stroke.
$12,000Certificate of authenticity included · shipping arranged individually
Kundalini yoga since 2021 — full activation, entered fresh before every session. Painting is the continuation of that practice, not a separate one.
She doesn’t plan a composition. In meditation and states of kundalini activation, the hand is let go — no sketch, no decision made in advance. What comes through is layered on, one stroke at a time, until a session ends and the picture stops changing.
She calls it reading the Akashic Chronicles: a wordless transmission, not an idea she illustrates. The final image is unrecognizable to her until the last layer settles.
Reach out directly — Tatiana answers herself.
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